Consider the Consequences!

"" ("¡Considera las consecuencias!"), publicado en 1930, es el primer libro conocido que utiliza una narrativa no lineal basada en elecciones (al estilo de «elige tu propia aventura»).

A diferencia de la gran mayoría de las obras de narrativa interactiva que aparecerían en los siguientes años, sus autoras fueron dos mujeres: Doris Webster y Mary Alden Hopkins. El tono sorprendentemente progresista de muchas de sus tramas puede tener que ver con que la segunda de ellas, Mary Alden Hopkins, fue una activista por el sufragio femenino y los derechos de las mujeres.

Algunas de las diferencias con los estándares de las obras de literatura interactiva posteriores:

El libro nos permite escoger entre tres personajes distintos pero relacionados entre sí, permitiéndonos experimentar la historia desde sus tres puntos de vista.La obra está escrita en tercera persona, y no en segunda persona como es habitual en otros librojuegos o libros interactivos.Se trata de una obra destinada a público adulto, y pensada para ser leída en grupo, con una persona lectora y otras que toman las decisiones.

La historia es sorprendentemente ágil para un texto olvidado de 1930, con personajes bien construídos y situaciones creíbles e interesantes. El texto nos permite viajar a una época muy diferente a la nuestra, y comprender muchos de sus dilemas.

"", published in 1930, is the first known book to use a non-linear, choice-based narrative (in the style of “choose your own adventure”).

Unlike the vast majority of interactive narrative works that would appear in the following years, its authors were two women: Doris Webster and Mary Alden Hopkins. The surprisingly progressive tone of many of their plots may have to do with the fact that the latter, Mary Alden Hopkins, was an activist for women's suffrage and women's rights.

Some of the differences from the standards of later works of interactive literature:

The book allows us to choose between three distinct but related characters, allowing us to experience the story from their points of view.The work is written in the third person, and not in the second person as is common in other interactive books or gamebooks.It is a work intended for an adult audience, and designed to be read in a group, with one person reading and others making the decisions.

The story is surprisingly agile for a forgotten text from 1930, with well-constructed characters and believable and interesting situations. The text allows us to travel to a time very different from our own, and to understand many of its dilemmas.

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